Base Ten Montessori
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Question and Answer Time!

I had someone ask a really great question on my Subtraction Snake Game and I wanted to share it with everyone:

Question:
"Please why can't you subtract from a colored bead and black and white bead, wouldnt exchanging it be a little confusing for the child?"

My Answer:
This experience of positive and negative numbers, as well as the experience of exchanging, needs to have different sensorial impressions for young students. My students have never had a problem getting confused by this. In fact, I have had many students obsess over each part of this game, but students will pick up on what their guide does and feels about the lesson, so if you give the impression you don't like it or you try to skip over it, they will follow your example. I would encourage you to love each step of the process and that will spill over to the child's experience. As Montessori would say, "Have faith in the child." When you have faith in the child, you will discover that they will adapt to the material much easier than adults - and part of the reason why is that as adults, our minds are already thinking two steps ahead because we already understand the concepts like subtraction so well. But in order to value each part of this lesson, you need to approach this lesson from the mindset of a young child who is still learning this concept and still has a need for concrete sensorial impressions of math.

Each function for subtraction and addition need to be represented with a different impression, and the concept of exchanging also requires a different experience. It is important that each function has a different sensorial impression so that the mind sees, feels and experiences what is happening differently with each function. Also keep in mind that one of the purposes of the snake game is to understand different combinations of ten, so we want to show all the different ways to make ten, including the exchanging. The black and white beads demonstrate a different way to create ten and they signal that something different is happening and we need to demonstrate that function to the child very concretely and not take that step forgranted by skipping over it just because it is easier for the adult.

As an adult with a fully developed abstract mind for simple math operations, yes, skipping the exchange would be easier for us, but the young child is still developing that abstract mind. During the ages of 0-6 years old, they have a concrete mind and need to see each representation of function clearly. In addition to that, there are more snake game lessons in elementary, such as negative numbers, so each part of the snake game builds into the next variation, which is more complicated.

Don't forget, "The hands are the instrument of the mind." So the more we use our hands to manipulate materials and get that concrete experience of an abstract idea, the better those ideas will solidify inside the mind. It's creating neural pathways in the brain. What we learn with our hands always gets communicated to the mind and sets the foundation for more abstract learning later in life!

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I can't figure out where the copyright issue is coming from since it was all my own original work and opinions. First Amendment speech allows me to give opinions and talk about the experiences and materials I like or don't like. It's transformative in its nature. I simply showed and reviewed the materials I received and talked about how after nearly a year, I couldn't get my entire order, so out of frustration I asked for a refund (which they gave). I haven't recommended them since.

I recorded everything through OBS or my iphone 3 years ago, but for some reason this person decided to strike these videos. I have all my original work, unedited, saved and time ...

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Fantasy vs Imagination
Exploring Montessori's View of Developing Creativity

Fantasy and Imagination

Creativity and imagination are “inborn powers in the child that develop as his mental capacities are established through his interaction with the environment” (Lillard, 1972, p. 45).  Dr. Montessori believed in cultivating the qualities of creativity and imagination in the young child in a way that connected the child to reality.  In the Montessori environment, “creation is in reality a composition, a construction raised upon a primitive material of the mind, which must be collected from the environment by means of the senses” (Montessori, 2016, p. 182). 

There is a natural, instinctive desire in humans to create and transform the world, but this can only happen if imagination and reality work in cooperation with each other.  Dr. Montessori believed that the young child, who often fantasizes, must be called out of his fantasy world and back into reality in order to use his creative energies purposefully.  She wrote, “when imagination starts from contact with reality, thought begins to construct works by means of which the external world becomes transformed; almost as if the thought of man had assumed a marvelous power: the power to create” (2016, p. 179).

Dr. Montessori’s View of Imagination

            Dr. Montessori viewed imagination in connection with reality as part of a positive science.  She described this science as “a return to natural laws of psychical energy” (Montessori, 2016, p. 180).  She believed that truth must be the foundation for creative energy because it constructs the mind and stimulates the imagination in a purposeful way.  The product of interacting with reality in this purposeful way is intelligence based on observation, logical reasoning and artistic imagination (Montessori, 2016). 

            Dr. Montessori determined that imagination is constructed from external impressions that inform the mind of the concrete world.  “Imagination can have only a sensory basis” (Montessori, 2016, p. 184).  External impressions collect information through the sensory organs to inform the mind, which then stimulates creative thought.  The more the senses are refined, the more accurate the impressions become, which gives the mind greater clarity and discernment. 

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